![]() ![]() Shortly thereafter, she wrote Last Witnesses: 100 Unchildish Lullabies, which incorporated the fragmented memories of Soviet children who had endured the war. ![]() The War’s Unwomanly Face (1985), a book based on the narratives of Soviet women who had fought in World War II. For each book, she’ll conduct between 500 and 700 interviews with witness-participants or their surviving family members, weaving excerpts from these interviews into her narratives. ![]() Touchstones of tragedyĪlexievich is known for her unique literary method, one that blurs the genres of oral history and documentary prose. Each deals with trauma through individual memories, she gives a voice to an entire Soviet society that has strained to make sense of the enormous suffering it experienced during the 20th century.
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